University of Arizona

Asian Photography

College of Fine Arts - School of Art

Photography and Taiwan

History and Practice

People

Scheduled speakers subject to change.

Hsin-Tien Liao, Keynote Speaker

Professor, National Taiwan University of Arts

  • Day 1. Keynote Speech.
    • 5:30 – 6:30pm (Arizona)
    • 8:30 – 9:30am (Taipei)

Hsin-Tien Liao is a professor at the National Taiwan University of Arts. Dr. Liao served as the Director-General of National Museum of History, Taiwan from 2018 to the early 2022. He is the recipient of numerous awards, including the Golden Bell Award of Radio, Best Host of Art and Culture and the Taiwanese Culture Award. He holds two doctoral degrees in sociology from the National Taiwan University and in Art History from the Central England University. He is the author of Metamorphosis – An Anthology of Essays by Dr. Hsin-tien Liao, the 14th General Director of National Museum of History (Taiwan) and The Modern and Post-modern: Art and Visual Culture Theories.

Joseph Allen

Professor, University of Minnesota

  • Day 2. Panel 1: Taiwanese Photography Then & Now
    • 5:00 – 7:00pm (Arizona)
    • 8:00 – 10:00am (Taipei)

Joseph R. Allen is a Professor Emeritus of Chinese literature and cultural studies and Founding Chair of the Department Asian Languages and Literatures, University of Minnesota. His writings include those on classical and modern Chinese literature, history of translation, and Taiwan studies, including aspects of vernacular photography in Taiwan. His Taipei: City of Displacements (2012) won the 2014 Levenson Prize in Chinese Studies, Association of Asian Studies.

Paul Barclay

Professor, Lafayette College

  • Day 2. Panel 1: Taiwanese Photography Then & Now
    • 5:00 – 7:00pm (Arizona)
    • 8:00 – 10:00am (Taipei)

Paul D. Barclay is Professor and Head of the History Department at Lafayette College in Easton, PA. He is the general editor of the East Asia Image Collection and author of “Imperial Japan’s Forever War, 1895-1945.” Asia-Pacific Journal: Japan Focus, vol. 19, no. 18 (September 15, 2021): https://apjjf.org/2021/18/Barclay.html and Outcasts of Empire: Japanese Rule on Taiwan’s “Savage Border” 1874-1945 (University of California Press, 2018).

He is currently researching Japanese military/police campaigns in Korea, China, Taiwan and the Soviet Union from 1894 to 1934 for a project called “Imperial Japan’s Forever Wars.” Barclay’s research has received support from the National Endowment from the Humanities, the Social Science Research Council, the Japanese Council for the Promotion of Science, and the Taiwan Ministry of Foreign Affairs.

Colin Blakely

Director, School of Art and Associate Vice President for Strategic Initiatives, Arizona Arts

  • Day 1. Opening Remarks
    • 5pm (Arizona)
    • 8am (Taipei)

Colin Blakely currently serves as Associate Vice President for Strategic Initiatives of Arizona Arts and Director of the School of Art at the University of Arizona. Prior to joining the University of Arizona in July 2015, he was Department head and Full Professor of Photography at Eastern Michigan University in Ypsilanti, MI, where he was on the faculty for 14 years.

As Director, Colin leads a school of 34 faculty and 11 staff in a school with approximately 550 majors and programs in Art History, Studio Art and Art and Visual Culture Education. As AVP for Strategic Initiatives, Colin is responsible for overseeing and coordinating strategic planning within Arizona Arts. He currently serves on the Board of Directors for the National Council of Arts Administrators (as Treasurer) and until recently the College Art Association (as Secretary and Acting Treasurer).

Colin’s work has been shown at Fotofest Houston, the Society for Contemporary Photography, the Pingyao International Photography Festival, the Griffin Museum of Photography, the Photographic Center Northwest and the Jen Bekman Gallery. Colin was a runner-up for the 2009 Aperture Portfolio Prize and a Winter 2007 Hot Shot. Publications include Pause to Begin, Photography Quarterly, and The Humble Collectors’ Guide to Emerging Art Photography. He received his B.A. from Williams College with a double major in Math and Studio Art, and his M.F.A. in Photography from the University of New Mexico.

Chien-Chi Chang
  • Day 3. Special Session: Photographer Presentation – Chien-Chi Chang & Lulu Shur-Tzy Hou
    • 6:15 – 7:15pm (Arizona)
    • 9:15 – 10:15am (Taipei)

Primarily using photography as his artistic medium, Chien-Chi Chang (b.1961) explores alienation and connection between people in contemporary society by developing long-term, interactive relationships with the subjects. In his earlier, well-known series The Chain (1993-1999) which was exhibited at the Taiwan Pavilion of the Venice Biennale in 2001 and the Bienal de São Paulo in 2002, Chang creates life-sized portraits of patients at Taiwan’s Long Fa Temple psychiatric temple. His 2001 series I do I do I do exposes subtle societal factors that underpin marriage using a photo album format. In his 2005 series Double Happiness, Chang uses a straight-forward format to document the marriage brokerage process used by Vietnamese brides and Taiwanese grooms.  

Starting in 1992, Chang became interested in themes related to the dispersion of individuals or families from their homeland, and in the 25 years hence, followed the lives of illegal immigrants in New York City’s Chinatown who left China as a matter of survival. Entitled China Town and still in progress, the series was exhibited in the artist’s mid-career survey Doubleness at the National Museum of Singapore in 2008, and at the Taiwan Pavilion of the Venice Biennale in 2009. In 2007, Chang travelled with North Korean defectors from Northeast China to Thailand, documenting their lives for his work Escape from North Korea, which won the Canadian AnthropoGraphia Award for Human Rights in 2011. In recent years Chang has expanded his medium to include sound and the moving images, which has enriched his photography-based narratives with additional, multiple elements.  

Chang received his bachelor’s degree from Soochow University in 1984, and his master’s from Indiana University in 1990. He began a professional career as a photojournalist in 1991, and has worked for both the Seattle Times and the Baltimore Sun. He joined the world famous photographic cooperative Magnum Photos in 1995 and became a full member in 2001.  

Ellen Y. Chang

PhD Candidate, University of Washington, Seattle

  • Day 2. Panel 1: Taiwanese Photography Then & Now
    • 5:00 – 7:00pm (Arizona)
    • 8:00 – 10:00am (Taipei)

Ellen Y. Chang is a Ph.D. Candidate in Cinema & Media Studies at the University of Washington and Director of Arts and Culture at the UW Taiwan Studies Program. As a simultaneous film scholar and art curator/practitioner, her recent work on the (audio)visual encounters with moving images examines the transactional encounter among contemporary Taiwanese video art/installation, cinema, and popular culture as processes of aesthetic decolonization.

Abby Chen

Head of Contemporary Art, Senior Associate Curator, Asian Art Museum, Chong-Moon Lee Center for Asian Art & Culture, San Francisco

  • Day 3. Roundtable
    • 7:15 – 8:15pm (Arizona)
    • 10:15 – 11:15am (Taipei)

Abby Chen is the Senior Associate Curator of the Asian Art Museum, Chong-Moon Lee Center for Asian Art and Culture, San Francisco. She is also the museum’s first head of the department for contemporary art. She holds M.A. in visual and critical studies from the California College of Arts. She was the artistic director at the Chinese Culture Center of San Francisco from 2006 to 2018, where she led innovative public art and exhibition programs, including Women我们 (2010-2013) and Chinatown Keywords School + Social Botany (Xu Tan, 2014-2016).

Chia-Chi Chen

Art Critic, Taiwan

  • Day 3. Panel 2: Taiwanese Photography in Global Scene
    • 4:00 – 6:00pm (Arizona)
    • 7:00 – 9:00am (Taipei)

CHEN Chia-Chi holds a Ph.D. in Taiwanese Literature from National Cheng Kung University and is currently working as researcher for history of photography and literature. Her experiences include postdoctoral fellow in the Center of Multiple-Cultural Studies in NCKU, editor for ARTCO, and assistant research fellow for National Museum Taiwan Literature. Her interests include theory of modern and contemporary literature, visual culture, history of photography and documentary films.

Shuxia Chen

The University of New South Wales and the University of Sydney

  • Day 3. Panel 2: Taiwanese Photography in Global Scene
    • 4:00 – 6:00pm (Arizona)
    • 7:00 – 9:00am (Taipei)

Dr. Shuxia Chen is an art historian and curator of Asian art. Her research concerns the relationship between visual art, society and politics in China, particularly the role of photography in forming new understandings of the transversal space between state and the cultural-intellectual classes in the socialist and post-socialist era. Shuxia is working on three book projects, including edited volume A Home for Photography Learning: the Friday Salon, 1977-1980 (Shanghai Fine Arts Publishing House, forthcoming 2022). She is currently Lecturer of Curating and Cultural Leadership at University of New South Wales and Curator, China Gallery, Chau Chak Wing Museum, the University of Sydney.

Meg Jackson Fox

Associate Curator, Center for Creative Photography

  • Day 1. Special Session: National Center of Photography and Image
    • 6:30 – 7:30pm (Arizona)
    • 9:30 – 10:30am (Taipei)
  • Day 3. Panel 2: Taiwanese Photography in Global Scene
    • 4:00 – 6:00pm (Arizona)
    • 7:00 – 9:00am (Taipei)

Meg Jackson Fox is Associate Curator of Academic and Public Programs at the Center for Creative Photography, Dr. Meg Jackson Fox specializes in modern & contemporary art and history, time-based art practices, and interdisciplinary visual education. She holds an M.A. in Modern European History from the University of Tennessee; an M.A. in Art, Business and Museum Studies from Georgetown University, jointly convened with Sotheby’s Institute of Art-London; and a Ph.D. in Contemporary Art and Critical Theory from the University of Arizona.

Previously Assistant Professor of Global Art History at the University of Denver, Meg’s research base is expressly trans-national, with publications in Germany, Italy, Poland, Great Britain, and the U.S. She is concurrently finishing work on an interdisciplinary curatorial project, trees stir in their leaves, a collaboration with the University of Arizona’s Laboratory for Tree-Ring Research, for CCP, as well as her first book project, Movements: Essays on Art, Running, and the Body.

Lulu Shur-Tzy Hou
  • Day 3. Special Session: Photographer Presentation – Chien-Chi Chang & Lulu Shur-Tzy Hou
    • 6:15 – 7:15pm (Arizona)
    • 9:15 – 10:15am (Taipei)

HOU Lulu Shur-tzy was born in Chiayi, Taiwan. She graduated from the Department of Philosophy at National Taiwan University in 1985 and she received a Master of Fine Art degree from the Rochester Institute of Technology in 1992. She is currently an Associate Professor at the Department of Crafts and Creative Design of the National University of Kaohsiung. She recently had her solo exhibition “Out of Place — A Trilogy on Kaohsiung Military Dependents’ Villages” at Kaohsiung Museum of Fine Arts in 2017.

Hou’s works have been addressing Kaohsiung’s Zuoying and Fengshan military dependents’ villages over the course of many years. HOU has been widely exhibited in numerous international venues, including the Gyeonggi Museum of Modern Art (2019); Tokyo Photographic Art Museum (2018); Fukuoka Asian Art Museum (2012); Kokanecho Art Bazzar, Yokohama (2014) and in 2017, her works “Song of Asian Foreign Brides in Taiwan” were included in the book titled Creating Across Cultures: Women in the Arts of China, Hong Kong, Macau, and Taiwan, which features the stories of 16 leading Chinese women artists.

Albert J. L. Huang

Chief Curator, Tainan International Photo Festival

  • Day 3. Roundtable
    • 7:15 – 8:15pm (Arizona)
    • 10:15 – 11:15am (Taipei)

Albert Huang is a film director and curator in photography. He received a Master of Fine Arts degree in Photography video and related media from School of Visual Arts, New York City. He is currently the Chief Curator of Tainan International photo Festival. He recently curated Emerging Taiwanese Cultural Landscape at the National Center of Photography and Images (NCPI). As a filmmaker, he directed and produced War Game 229, Xu Liang liang and her girls.

He is also the director of Eye on Taiwan Series, Ten years after 921, Portraits of Taiwan: Wu Chin-Yu, Lin Hwai-min (Discovery Channel International); Gods in Taiwan Series (National Geography Channel); Finding Formosa Series for Taiwan Public Television service. His solo exhibitions includ Taiwan between Centuries, Skin Deep, Homeless in the Gobble Village, Seeing East Seeing West Seeing, and Feels So Good To Be Home. His works are in the following collections: The Museum of Fine Arts, Houston; The New York Public Library, and Taipei Fine Arts Museum, Taipei, Taiwan.

Jeehey Kim

Assistant Professor, University of Arizona

  • Day 2. Panel 1: Taiwanese Photography Then & Now
    • 5:00 – 7:00pm (Arizona)
    • 8:00 – 10:00am (Taipei)
  • Day 3. Panel 2: Taiwanese Photography in Global Scene
    • 4:00 – 6:00pm (Arizona)
    • 7:00 – 9:00am (Taipei)
  • Day 3. Roundtable
    • 7:15 – 8:15pm (Arizona)
    • 10:15 – 11:15am (Taipei)

Jeehey Kim’s research encompasses the history of photography, visual culture, and film studies in East Asia. Kim is currently working on two book projects: Imagining Korea through Photography, on the history of photography in Korea, and Photography and Death: Funerary Photo-Portraiture in East Asia. She also has been writing articles on vernacular photographic practices as well as on documentary films and visual culture in relation to the Cold War and to gender politics in East Asia.

As a curator, Kim has organized exhibitions such as the recent “Pyongyang Bookstore,” at Seoul Metropolitan Library, which presented North Korean artists of the 1950s and ’60s. Kim earned her doctorate at the Graduate Center, City University of New York, with a dissertation on funerary portrait photography in East Asia. She was a postdoctoral fellow at the University of Chicago.

Olivier Krischer

University of Sydney

  • Day 3. Panel 2: Taiwanese Photography in Global Scene
    • 4:00 – 6:00pm (Arizona)
    • 7:00 – 9:00am (Taipei)

Dr Olivier Krischer is a historian of modern and contemporary East Asian arts with a particular interest in transcultural networks and photomedia. Following his PhD in Art History at the University of Tsukuba, Japan, he has been a Postdoctoral Fellow at the Australian National University and a Visiting Fellow at Academic Sinica, Taiwan. He is author and editor of What’s in a Name? After Orientalism (JOSAH #52, with Meghan Morris, 2021), Zhang Peili: from Painting to Video (2019), and Asia through Art and Anthropology: Cultural Translation Across Borders (2013, with F. Nakamura, M. Perkins).

His curatorial projects include Wei Leng Tay – Abridge (2021); Wayfaring: Photography in 1970s-80s Taiwan (with Shuxia Chen, 2021), Zhang Peili: from Painting to Video (with Kim Machan, 2016), and Between: Picturing 1950-60s Taiwan (2015). He currently lectures in Asian Art at the National Art School, Sydney, and is convenor of the Sydney Asian Art Series at the Power Institute for Fine Arts, University of Sydney.

Wei-I Lee

Publisher and Editor of Voices of Photography

  • Day 2. Special Session: The Taiwanese Photography Magazine and Books
    • 7:00 – 8:00pm (Arizona)
    • 10:00 – 11:00am (Taipei)

Wei-I Lee, the founder and publisher of VOP. He publishes Voices of Photography, an independent publication dedicated to image culture which he helms as the chief editor. He engages in writing, design and editing, and also publishes books focusing on the cultural and historical diversity in photography. He has obtained several awards at the Golden Tripod Award, the highest honor in Taiwan’s publishing industry. He has also participated in the planning and judging of forums, workshops and exhibitions related to visual arts in Taiwan and internationally. He now lives and works in Taipei.

Hsin-Tien Liao

Professor, National Taiwan University of Arts

  • Day 1. Keynote Speech.
    • 5:30 – 6:30pm (Arizona)
    • 8:30 – 9:30am (Taipei)

Hsin-Tien Liao is a professor at the National Taiwan University of Arts. Dr. Liao served as the Director-General of National Museum of History, Taiwan from 2018 to the early 2022. He is the recipient of numerous awards, including the Golden Bell Award of Radio, Best Host of Art and Culture and the Taiwanese Culture Award. He holds two doctoral degrees in sociology from the National Taiwan University and in Art History from the Central England University. He is the author of Metamorphosis – An Anthology of Essays by Dr. Hsin-tien Liao, the 14th General Director of National Museum of History (Taiwan) and The Modern and Post-modern: Art and Visual Culture Theories.

Hongjohn Lin

Professor, Taipei National University of Arts

  • Day 3. Special Session: Photographer Presentation – Chien-Chi Chang & Lulu Shur-Tzy Hou
    • 6:15 – 7:15pm (Arizona)
    • 9:15 – 10:15am (Taipei)

Hongjohn Lin (Taiwan) is an artist, writer, and curator. Lin earned a Ph.D. in Arts and Humanities from New York University. He has participated in numerous exhibitions, including Taipei Biennial (2004), Manchester Asian Triennial (2008), Rotterdam Film Festival (2008), Taipei Biennial (2012), China Asia Biennial (2014), and Guangzhou Triennial (2015). Lin was the curator of the Taiwan Pavilion Atopia, Venice Biennial (2007), co-curator of Taipei Biennial (with Tirdad Zolghadr, 2010).

He is currently a Professor at the Taipei National University of the Arts. His writings were published in international magazines, journals, and publications. He wrote the Introductions for the Chinese edition of Art Power (Boris Groys) and Artificial Hells (Claire Bishop), and his publications in Chinese include Poetics of Curating (2018). He is the editor-in-chief of the online journal Curatography. Lin curated Hold the Mirror up to His Gaze, the premiere exhibition of the National Photography and Image Center in 2021. Lin is now working on a multi-year public art project in Wanhua District, Taipei, and the exhibition Immemory in Keelung Museum.  

Mia Yinxing Liu

Associate Professor, California College of the Arts

  • Day 2. Panel 1: Taiwanese Photography Then & Now
    • 5:00 – 7:00pm (Arizona)
    • 8:00 – 10:00am (Taipei)
  • Day 2. Special Session: The Taiwanese Photography Magazine and Books
    • 7:00 – 8:00pm (Arizona)
    • 10:00 – 11:00am (Taipei)

Mia Yinxing Liu is Associate Professor in the History of Art and Visual Culture department at California College of the Arts, in San Francisco, CA. She received her Ph. D. in Art History from the University of Chicago in 2013, and previously was Postdoctorate Fellow at Yale University in 2014 and Assistant Professor in Asian Studies at Bates College. Her first book, The Literati Lens: Wenren Landscape in Chinese Cinema (1950-1979) published in 2019 (University of Hawai’i Press), deals with the how landscape in feature cinema in Maoist China became fields of contesting visions. She also published on Chinese photography in the past few years, for example, “The Allegorical Landscape: Lang Jingshan’s Photography in Context” (Archives of Asian Arts, 2015), and “The Surrealist and Documentary in Chang Chao-Tang’s Photography” (Art in Translation, 2018). Her research interests focus on cinema, photography, optical devices, and other issues of media in the history of Chinese art and visual culture. Currently she is working on a book manuscript on the intermedial dialogues between ink painting and photography in modern China. 

Rebecca Senf

Chief Curator, Center for Creative Photography

  • Day 3. Closing Remarks
    • 8:15pm (Arizona)
    • 11:15am (Taipei)

Rebecca Senf is Chief Curator at the Center for Creative Photography at the University of Arizona, in Tucson. Her B.A. in Art History is from the University of Arizona; her M.A. and Ph.D. were awarded by Boston University. In 2012, her book Reconstructing the View: The Grand Canyon Photographs of Mark Klett and Byron Wolfe was released by University of California Press; in 2017, her book To Be Thirteen, showcasing the work of Betsy Schneider, was published by Radius Press and Phoenix Art Museum. Senf is an Ansel Adams scholar, with a book forthcoming on Ansel Adams’s early years, called Making a Photographer, copublished by the CCP and Yale University Press, due in early 2020.

Chao-yi Tsai

Chief Curator, Research and Development Division, National Taiwan Museum of Fine Arts Convener, National Center of Photography and Images

  • Day 1. Special Session: National Center of Photography and Image
    • 6:30 – 7:30pm (Arizona)
    • 9:30 – 10:30am (Taipei)

Chao-yi Tsai is currently working as chief curator of Research and Development Division at the National Taiwan Museum of Fine Arts and also acts as the convener at the Preparatory Office of the National Center of Photography and Images. She joined the curatorial staff of the National Taiwan Museum of Fine Arts in 1999 and worked as the chief curator of the Exhibition Division from 2009 to 2019, leading several projects at home and abroad, and organizing various exhibitions, seminars, international art works competitions, etc.

She was a board member of the International Committee for Exhibition Exchange (ICEE) of ICOM in 2002-2005. In 2003, she was an exchange research scholar of the Smithsonian Institution, U.S.A., and worked at the Los Angeles County Museum of Art for 6 months. From 2010 to 2017, she was the Executive Director and a board member of the Taiwan Fine Arts Foundation.

She specializes in the curating of Asian Contemporary Art and modern/contemporary art in Taiwan and has curated numerous exhibitions including, Have you Eaten Yet? – 2007 Asian Art Biennial and Viewpoints & Viewing Points – 2009 Asian Art Biennial at the National Taiwan Museum of Fine Arts, Sensory Topology – Bodily Perception of Taiwan Contemporary Art at the Guangdong Museum of Art, China (2010), and Rolling! Visual Art in Taiwan at the Seoul Museum of Art, Korea, in 2013. Recent curatorial projects include The Pioneers of Taiwanese Artists, 1951~1960 (2014), Eighty Years of Energy: Hsiao Chin’s Retrospect & Prospect (2015), Intuition‧Memory‧Primitive Energy: A-Sun Wu Retrospective (2018).

Liang-Pin Tsao

Founder, Lightbox Photo Library

  • Day 2. Special Session: The Taiwanese Photography Magazine and Books
    • 7:00 – 8:00pm (Arizona)
    • 10:00 – 11:00am (Taipei)

Liang-Pin Tsao is an artist and founder of Lightbox Photo Library based in Taipei, Taiwan. He holds an MFA degree from Pratt Institute, and is the recipient of Fulbright Grant, New York Residency Program sponsored by the Ministry of Culture Taiwan, and Paris Photography Exchange program sponsored by French Office in Taipei, among others.

Additionally, he devotes himself to public services, art education and open culture. He is one of the advisory committee members of National Center of Photography and Images, an adjunct assistant professor at National Chengchi University, and the director of Lightbox Photo Library, a shared social infrastructure for Taiwanese photography community.

Center for Creative Photography
School of Art
Arizona Arts
Spotlight Taiwan
Ministry of Culture Republic of China (Taiwan)
Taiwan Academy - Taipei Economic and Cultural Office in Los Angeles